{"id":4858,"date":"2013-10-02T17:20:02","date_gmt":"2013-10-02T07:20:02","guid":{"rendered":"http:\/\/www.idaia.com.au\/en\/?p=4858"},"modified":"2013-10-17T13:53:04","modified_gmt":"2013-10-17T02:53:04","slug":"guide-2013-guide-to-indigenous-art-centres","status":"publish","type":"post","link":"https:\/\/www.idaia.com.au\/en\/guide-2013-guide-to-indigenous-art-centres\/","title":{"rendered":"GUIDE: 2013 GUIDE TO INDIGENOUS ART CENTRES"},"content":{"rendered":"<p><a href=\"https:\/\/www.idaia.com.au\/en\/wp-content\/uploads\/2013\/10\/IMG_5833_Art-Collector-2013-Guide-Indigenous-Centres.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-4860 aligncenter\" alt=\"IMG_5833_Art Collector 2013 Guide Indigenous Centres\" src=\"https:\/\/www.idaia.com.au\/en\/wp-content\/uploads\/2013\/10\/IMG_5833_Art-Collector-2013-Guide-Indigenous-Centres.jpg\" width=\"601\" height=\"600\" srcset=\"https:\/\/www.idaia.com.au\/en\/wp-content\/uploads\/2013\/10\/IMG_5833_Art-Collector-2013-Guide-Indigenous-Centres.jpg 601w, https:\/\/www.idaia.com.au\/en\/wp-content\/uploads\/2013\/10\/IMG_5833_Art-Collector-2013-Guide-Indigenous-Centres-150x150.jpg 150w, https:\/\/www.idaia.com.au\/en\/wp-content\/uploads\/2013\/10\/IMG_5833_Art-Collector-2013-Guide-Indigenous-Centres-300x300.jpg 300w, https:\/\/www.idaia.com.au\/en\/wp-content\/uploads\/2013\/10\/IMG_5833_Art-Collector-2013-Guide-Indigenous-Centres-92x92.jpg 92w, https:\/\/www.idaia.com.au\/en\/wp-content\/uploads\/2013\/10\/IMG_5833_Art-Collector-2013-Guide-Indigenous-Centres-400x400.jpg 400w\" sizes=\"auto, (max-width: 601px) 100vw, 601px\" \/><\/a><b>The 2013 Guide to Indigenous Art Centres<\/b><br \/>\nPublished by magazine\u00a0<i>Art Collector<\/i><br \/>\nOctober 2013<\/p>\n<p>With its 4<sup>th<\/sup>\u00a0edition of the guide, Australian magazine\u00a0<i>Art Collector<\/i>\u00a0confirms its \u201cstrong ethical position in regards to the Indigenous art market and collecting\u201d. Addressing \u201cserious collectors of Aboriginal art\u201d and \u201cthose who are new to the ethical collecting of Indigenous art\u201d, the 160-page publication offers:<\/p>\n<p>&#8211; A comprehensive directory of 61 Indigenous artist-owned, community-based art centres across Australia, including some geographical and historical information on the communities they serve, and artist profiles;<br \/>\n&#8211; Guidelines on ethically sourcing Indigenous art and how to be certain of provenance;<br \/>\n&#8211; An essay by Quentin Sprague on \u2018Why bark painting is contemporary art\u2019;<br \/>\n&#8211; A look into one of the oldest art centre Ernabella Arts.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The 2013 Guide to Indigenous Art Centres<br \/>\nPublished by magazine Art Collector<br \/>\nOctober 2013<\/p>\n<p>With its 4th edition of the guide, Australian magazine Art Collector confirms its \u201cstrong ethical position in regards to the Indigenous art market and collecting\u201d. Addressing \u201cserious collectors of Aboriginal art\u201d and \u201cthose who are new to the ethical collecting of Indigenous art\u201d, the 160-page publication offers:<\/p>\n<p>&#8211; A comprehensive directory of 61 Indigenous artist-owned, community-based art centres across Australia, including some geographical and historical information on the communities they serve, and artist profiles;<br \/>\n&#8211; Guidelines on ethically sourcing Indigenous art and how to be certain of provenance;<br \/>\n&#8211; An essay by Quentin Sprague on \u2018Why bark painting is contemporary art\u2019;<br \/>\n&#8211; A look into one of the oldest art centre Ernabella Arts.<\/p>\n","protected":false},"author":1,"featured_media":4860,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[74],"tags":[749,449,750,841,751],"class_list":["post-4858","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-latest-releases","tag-art-collector","tag-contemporary-art","tag-guide-to-indigenous-art-centres","tag-idaia","tag-october-2013"],"_links":{"self":[{"href":"https:\/\/www.idaia.com.au\/en\/wp-json\/wp\/v2\/posts\/4858","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.idaia.com.au\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.idaia.com.au\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.idaia.com.au\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.idaia.com.au\/en\/wp-json\/wp\/v2\/comments?post=4858"}],"version-history":[{"count":4,"href":"https:\/\/www.idaia.com.au\/en\/wp-json\/wp\/v2\/posts\/4858\/revisions"}],"predecessor-version":[{"id":4958,"href":"https:\/\/www.idaia.com.au\/en\/wp-json\/wp\/v2\/posts\/4858\/revisions\/4958"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.idaia.com.au\/en\/wp-json\/wp\/v2\/media\/4860"}],"wp:attachment":[{"href":"https:\/\/www.idaia.com.au\/en\/wp-json\/wp\/v2\/media?parent=4858"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.idaia.com.au\/en\/wp-json\/wp\/v2\/categories?post=4858"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.idaia.com.au\/en\/wp-json\/wp\/v2\/tags?post=4858"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}