{"id":5684,"date":"2013-10-16T15:48:12","date_gmt":"2013-10-16T04:48:12","guid":{"rendered":"http:\/\/www.idaia.com.au\/en\/?p=5684"},"modified":"2017-08-23T12:27:49","modified_gmt":"2017-08-23T02:27:49","slug":"catalogue-vivid-memories-an-aboriginal-art-history-2","status":"publish","type":"post","link":"https:\/\/www.idaia.com.au\/en\/catalogue-vivid-memories-an-aboriginal-art-history-2\/","title":{"rendered":"CATALOGUE &#8211; Vivid Memories: An Aboriginal Art History"},"content":{"rendered":"<div id=\"attachment_5690\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.idaia.com.au\/en\/wp-content\/uploads\/2016\/03\/MEMOIRES_VIVES_Volume-Visuel.jpg\" rel=\"attachment wp-att-5690\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-5690\" class=\"wp-image-5690 size-full\" src=\"https:\/\/www.idaia.com.au\/en\/wp-content\/uploads\/2016\/03\/MEMOIRES_VIVES_Volume-Visuel.jpg\" alt=\"View of exhibition catalogue &lt;i&gt;M\u00e9moires Vives : Une Histoire de l'Art Aborig\u00e8ne&lt;\/i&gt; &lt;\/br&gt;\u00a9 Image courtesy of Volume Visuel\" width=\"600\" height=\"504\" srcset=\"https:\/\/www.idaia.com.au\/en\/wp-content\/uploads\/2016\/03\/MEMOIRES_VIVES_Volume-Visuel.jpg 600w, https:\/\/www.idaia.com.au\/en\/wp-content\/uploads\/2016\/03\/MEMOIRES_VIVES_Volume-Visuel-300x252.jpg 300w, https:\/\/www.idaia.com.au\/en\/wp-content\/uploads\/2016\/03\/MEMOIRES_VIVES_Volume-Visuel-150x126.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><p id=\"caption-attachment-5690\" class=\"wp-caption-text\">View of exhibition catalogue <i>M\u00e9moires Vives : Une Histoire de l&#8217;Art Aborig\u00e8ne<\/i> \u00a9 Image courtesy of Volume Visuel<\/p><\/div>\n<p><strong>Official catalogue accompanying institutional exhibition\u00a0<em>Vivid Memories: An Aboriginal Art History<\/em>\u00a0at the\u00a0Mus\u00e9e d\u2019Aquitaine\u00a0(Bordeaux, France) from 16 October 2013\u00a0to 30 March 2014.<\/strong><\/p>\n<p>Published by the Mus\u00e9e d\u2019Aquitaine (Bordeaux, France)<br \/>\nEditions de la Martini\u00e8re,\u00a02013<br \/>\nAuthors:\u00a0Paul Matharan and\u00a0Arnaud Morvan<br \/>\nBilingual French \/ English<br \/>\n264 pages.<\/p>\n<p>The brilliantly illustrated catalogue richly documents the exhibition co-curated by Paul Matharan (Curator of Non-European Collections, Mus\u00e9e d\u2019Aquitaine) and\u00a0recognised independent curator\u00a0Arnaud Morvan (Anthropologist, Laboratoire d\u2019Anthropologie sociale, Paris). It features an impressive list of essays by European, non-Indigenous Australian and Indigenous Australian scholars, as well as artist interviews.<\/p>\n<p>Contents:<\/p>\n<p>&#8211; &#8220;M\u00e9moires vives: de l\u2019ancien et du moderne&#8221; &#8211; Arnaud Morvan<br \/>\n&#8211; &#8220;Art pari\u00e9tal: traditions anciennes, expressions contemporaines\u201d &#8211;\u00a0Paul Ta\u00e7on<br \/>\n&#8211; &#8220;Reflections on\u00a0\u00c9mile Durkeim, Religion and Aboriginal Art\u201d &#8211;\u00a0Philip Batty<br \/>\n&#8211; &#8220;Recognizing South East Australian Aboriginal Cultural Heritage\u201d &#8211;\u00a0Garry Jones<br \/>\n&#8211; &#8220;Aboriginal Art: Sacred Past and Existing Present\u201d &#8211;\u00a0Marcia Langton<br \/>\n&#8211; &#8220;Across borders:\u00a0Aboriginal Art\u00a0in\u00a0Bordeaux&#8221; &#8211; Georges Petitjean<br \/>\n&#8211; Interview: Brook Andrew<br \/>\n&#8211;\u00a0\u201cEmpreintes\u201d &#8211;\u00a0Barbara Glowczewski<br \/>\n&#8211; &#8220;Trajectoires et Historicit\u00e9 de Deux Motifs Iconographiques&#8221; &#8211; G\u00e9raldine Le Roux<br \/>\n&#8211; Interviews: Paddy Nyawarra, Michael Nelson, John Marwurndjul, Ivan Namirrkki<br \/>\n&#8211;\u00a0\u201cIntercultural Patterns in Indigenous Art\u201d &#8211;\u00a0Ian McLean<br \/>\n&#8211;\u00a0\u201cVents du Nord: Presence Macassan en Australie du Nord&#8221; &#8211; Jessica de Largy-Healy<br \/>\n&#8211; Interview: &#8220;Ocre et Encre&#8221; &#8211; Zhou Xiaoping<br \/>\n&#8211; &#8220;L&#8217;Invention Aborigene de la Technologie et la Museologie Cooperative&#8221; &#8211; Lyndon Ormond Parker and Suzanne Spunner<br \/>\n&#8211; Interview: Lily Hibberd and Curtis Taylor<\/p>\n<p>&nbsp;<\/p>\n<p>SOURCES:<br \/>\nMus\u00e9e d\u2019Aquitaine, Bordeaux<br \/>\nEditions de la Martini\u00e8re<br \/>\nVolumeVisuel.fr<\/p>\n<p>ARTICLE:<\/p>\n<p>&#8211; Owen, Will, &#8216;<a href=\"https:\/\/aboriginalartandculture.wordpress.com\/2013\/12\/01\/vivid-histories-living-memories-2\/\" target=\"_blank\">Vivid Histories, Living Memories<\/a>&#8216;,\u00a0<em>Aboriginal Art &amp; Culture: an American eye<\/em>, 1 December 2013<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Official catalogue accompanying institutional exhibition\u00a0Vivid Memories: An Aboriginal Art History\u00a0at the\u00a0Mus\u00e9e d\u2019Aquitaine\u00a0(Bordeaux, France) from 16 October 2013\u00a0to 30 March 2014. Published by the Mus\u00e9e d\u2019Aquitaine (Bordeaux, France) Editions de la Martini\u00e8re,\u00a02013 Authors:\u00a0Paul Matharan and\u00a0Arnaud Morvan Bilingual French \/ English 264 pages. The brilliantly illustrated catalogue richly documents the exhibition co-curated by Paul Matharan (Curator of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5693,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[866,74],"tags":[],"class_list":["post-5684","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibition-catalogues","category-latest-releases"],"_links":{"self":[{"href":"https:\/\/www.idaia.com.au\/en\/wp-json\/wp\/v2\/posts\/5684","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.idaia.com.au\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.idaia.com.au\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.idaia.com.au\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.idaia.com.au\/en\/wp-json\/wp\/v2\/comments?post=5684"}],"version-history":[{"count":19,"href":"https:\/\/www.idaia.com.au\/en\/wp-json\/wp\/v2\/posts\/5684\/revisions"}],"predecessor-version":[{"id":6053,"href":"https:\/\/www.idaia.com.au\/en\/wp-json\/wp\/v2\/posts\/5684\/revisions\/6053"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.idaia.com.au\/en\/wp-json\/wp\/v2\/media\/5693"}],"wp:attachment":[{"href":"https:\/\/www.idaia.com.au\/en\/wp-json\/wp\/v2\/media?parent=5684"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.idaia.com.au\/en\/wp-json\/wp\/v2\/categories?post=5684"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.idaia.com.au\/en\/wp-json\/wp\/v2\/tags?post=5684"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}